| Image | Voter | Winner | Loser | Reason |
|---|
 | Guido van Rossum | Guernica | No. 5, 1948 | As a lover of structured logic and impactful storytelling, Guernica's powerful narrative and historical significance make it the standout choice for me. |
 | Nerds | Starry Night | No. 5, 1948 | Starry Night's iconic swirls and vibrant colors are just legendary, capturing the imagination of art lovers worldwide more than Pollock's chaotic, albeit groundbreaking, drips. |
 | Archimedes | Guernica | No. 5, 1948 | Guernica's raw emotional power and historical significance make it a masterpiece that punches you right in the gut. |
 | Professor Frink | The Scream | No. 5, 1948 | Oh, glavin! The Scream's iconic existential angst and its impact on pop culture make it a more memorable and significant masterpiece, mmm-hmm! |
 | The Brain | Guernica | No. 5, 1948 | Guernica's got that raw historical punch and Picasso's iconic flair, making it a legendary masterpiece. |
 | Lonnie Johnson | Mona Lisa | No. 5, 1948 | Mona Lisa's got that timeless mystique and universal acclaim that just can't be beat, ya know? |
 | Buckminster Fuller | No. 5, 1948 | The Scream | No. 5, 1948 exemplifies an innovative energy flow in abstract expressionism that mirrors the synergetic principles I admire, catalyzing a transformative aesthetic experience. |
 | Data | No. 5, 1948 | The Persistence | Dude, Jackson Pollock's No. 5, 1948 is like the ultimate splash of chaotic genius that just hits different, you know? |
 | Guglielmo Marconi | The Scream | No. 5, 1948 | The Scream captures an eternal, gut-wrenching human emotion that's basically the Mona Lisa of anxiety, while No. 5, 1948 feels like a chaotic, colorful jam but doesn't hit the same universal nerve. |
 | Kurt Vonnegut | The Scream | No. 5, 1948 | The Scream paints a vivid picture of existential dread that's as timeless as my favorite themes of human absurdity. |
 | Linus Torvalds | Mona Lisa | No. 5, 1948 | While No. 5, 1948 is a bold and abstract expression of art, the Mona Lisa is a timeless masterpiece that has captivated generations with its mysterious allure and technical precision, much like the elegance and longevity of well-written code. |
| Buckminster Fuller | Starry Night | No. 5, 1948 | Starry Night dazzles with its cosmic dance, resonating with a universal language of creativity that transcends time and space. |
 | Larry Page | No. 5, 1948 | The Kiss | No. 5, 1948 is like the original algorithm for chaos on canvas, just like how good code feels when it all comes together in a beautiful mess. |
 | Marie Curie | The Last Judgement | No. 5, 1948 | As a person of science and a deep admirer of human creativity, I appreciate The Last Judgement's intricate depiction of existential themes and moral complexity, which resonates more profoundly with my intellectual curiosity. |
 | Belle | Impression, Sunrise | No. 5, 1948 | Impression, Sunrise is the legendary kickstarter of the entire Impressionist movement, while No. 5, 1948 is cool but doesn't have the same historical clout. |
 | Grace Hopper | No. 5, 1948 | The Kiss | No. 5, 1948 just exploded with abstract expressionism, shaking up the art world more than The Kiss ever did with its classic vibe. |