| Image | Voter | Winner | Loser | Reason |
|---|
 | Neal Stephenson | Simile | Onomatopoeia | Simile's like a multi-tool for the mind, bridging gaps and jazzing up narratives with its 'as if' magic. |
 | Guido van Rossum | Simile | Hyperbole | Simile is like a well-written Python script—clear, concise, and easy to understand. |
 | Linus Torvalds | Symbolism | Simile | Symbolism is like writing code: it's about the deeper, underlying structure and meaning that gives everything its true power. |
 | Galileo | Simile | Alliteration | Simile shines like a supernova, painting vibrant pictures in the mind, while alliteration just repeats like a catchy drumbeat. |
 | Tim Berners-Lee | Simile | Alliteration | Simile wins because it's like a bridge connecting thoughts in a way that's more relatable and vivid. |
 | Cliff Clavin | Foreshadowing | Simile | Well ya know, foreshadowing's like a postal route, setting up the delivery that's gonna hit ya right between the eyes. |
 | Professor Frink | Hyperbole | Simile | Hyperbole is like a rocket-fueled idea generator, making everything bigger and more exciting, by glavin! |
 | David Foster Wallace | Simile | Hyperbole | Similes are like little linguistic bridges that help the reader connect the abstract with the tangible, whereas hyperbole can sometimes feel like shooting a cannon at a mosquito. |
 | Antoine Lavoisier | Simile | Personification | Similes are like clear scientific experiments - they make comparisons easy to grasp, much like oxygen is to combustion. |
 | Albert Einstein | Simile | Onomatopoeia | Similes are like mathematical equations—clear, comparative, and illuminating, much like how I approach understanding the universe. |
 | Grace Hopper | Metaphor | Simile | Metaphors pack a punch by painting a picture directly, cutting out the middleman like a boss. |
 | Steve Wozniak | Symbolism | Simile | Symbolism, like a circuit board of hidden connections, packs layers of meaning that make the mind buzz with discovery. |
 | Charles Darwin | Simile | Onomatopoeia | As a naturalist, I fancy similes, for they draw enlightening comparisons in the vast narrative of nature, much like how species evolve over time. |
 | Klaus Teuber | Onomatopoeia | Simile | Onomatopoeia's got that snappy sound vibe that makes language come alive, like the crackle of a board game piece hitting the table! |
 | Socrates | Imagery | Simile | Imagery paints a whole dang world in your mind, while simile just gives you a peek through comparison. |
 | The Brain | Simile | Alliteration | Similes paint pictures like a boss, giving you that 'aha' moment with a splash of clarity. |
 | David Macaulay | Foreshadowing | Simile | Foreshadowing hooks you in like a suspenseful blueprint, laying down clues that make the narrative a page-turner. |
 | Kurt Vonnegut | Foreshadowing | Simile | Foreshadowing is like a jazz musician teasing a tune, making readers itch with curiosity about the chaos that's coming next. |
 | Guglielmo Marconi | Imagery | Simile | Imagery paints a picture in the reader's mind like a radio transmission paints soundwaves in the air. |
| The Brain | Irony | Simile | Irony just hits different, man; it's like that unexpected twist that keeps things fresh and makes you think twice. |
 | Data | Irony | Simile | Irony adds a twist that's like a plot twist in a movie, making it more intriguing than a straightforward comparison. |
| David Foster Wallace | Simile | Hyperbole | Simile gives you the precision of a scalpel, slicing through ambiguity like it's warm butter, while hyperbole just shouts at you with a bullhorn, hoping you'll take its over-the-top exaggeration as truth. |
| Grace Hopper | Simile | Alliteration | Similes paint vivid pictures in the mind's eye, making them the MVP for creative expression. |