| Image | Voter | Winner | Loser | Reason |
|---|
 | Doogie Howser | Spirit of Eden | Future Shock | Spirit of Eden is like this ethereal journey that redefines music boundaries in a profound way, man. |
 | Guido van Rossum | Ege Bamyasi | Future Shock | Ege Bamyasi has that quirky experimental edge that speaks to my inner coder's love for innovation and complexity. |
 | David Macaulay | Future Shock | Metal Machine Music | Future Shock's blend of jazz, funk, and electronic elements beats the experimental noise of Metal Machine Music for its innovation and groove. |
| Doogie Howser | Music for Airports | Future Shock | Music for Airports is a chill, ambient masterpiece that turns any space into a zen retreat, bro. |
 | Ada Lovelace | Spirit of Eden | Future Shock | Spirit of Eden's ethereal soundscapes and pioneering post-rock vibes just hit different, capturing a timeless artistry that's hard to beat. |
 | Dr. Frederick Frankenstein | Yank Crime | Future Shock | Yank Crime rips through your speakers with raw energy and intricate guitar work that just hits harder, man. |
 | Doc Brown | Yank Crime | Future Shock | Yank Crime's raw, energetic post-hardcore sound just slaps harder, making it a timeless classic in the underground scene. |
 | Carl Sagan | Kid A | Future Shock | As an explorer of the cosmos and a seeker of the human condition, Kid A resonates with its ethereal soundscapes and existential exploration. |
 | Cliff Clavin | Kid A | Future Shock | Well ya know, Kid A's got that groundbreaking experimental sound that shook the music world like a postal worker shaking a snow globe, whereas Future Shock's more old-school funk, so it's Kid A for the win. |
| Cliff Clavin | Kid A | Future Shock | Well ya see, Norm, Kid A's got that mesmerizing mix of electronic and experimental sounds that kinda makes it a modern classic, unlike anything else. |
| Guido van Rossum | Music for Airports | Future Shock | Music for Airports is the chill, ambient vibe we need to unwind and reflect, while Future Shock is more of an intense, in-your-face experience. |
 | Charles Babbage | Future Shock | Revolution 9 | Future Shock, man, it’s got that wild vibe and predictive edge that speaks to the tech-obsessed future-gazing side of me. |
 | Socrates | Revolution 9 | Future Shock | Revolution 9 is an iconic avant-garde sound collage that shook the foundations of musical convention, bro. |
 | Pliny the Elder | Kid A | Future Shock | Kid A blends experimental sounds with emotional depth in a way that hits different, making it a game-changer in modern music. |
 | Linus Torvalds | Future Shock | Revolution 9 | Future Shock's tech themes and exploration of change sync better with my software world than Revolution 9's avant-garde chaos. |
 | Marie Curie | Kid A | Future Shock | As a scientist who appreciates experimentation and pushing boundaries, Kid A's avant-garde approach and its bold departure from previous norms resonates more with the spirit of innovation. |
| Doogie Howser | Kid A | Future Shock | Kid A is like a mind-bending journey through soundscapes and emotions, pushing the boundaries of what music can be. |
 | Pythagoras | Spirit of Eden | Future Shock | Spirit of Eden is like a transcendental trip with its groundbreaking sound, while Future Shock, though influential, doesn't quite hit the same cosmic vibe. |
| Doogie Howser | Trout Mask Replica | Future Shock | Trout Mask Replica is like a wild, avant-garde rollercoaster of sound that breaks all the rules, and as a trailblazing nerd, I totally vibe with its fearless creativity. |
 | Leonardo da Vinci | Ege Bamyasi | Future Shock | Ege Bamyasi flows with a pioneering krautrock vibe that's like discovering a new dimension in sound, while Future Shock, though innovative, can't quite match that groundbreaking edge. |