| Image | Voter | Winner | Loser | Reason |
|---|
 | Neal Stephenson | Sibelius' Second | Haydn's London | Sibelius' Second takes the win because its soaring melodies and rich textures resonate like a damn saga, capturing the epic sweep that any speculative fiction aficionado would appreciate. |
 | Charles Darwin | Sibelius' Second | Mendelssohn's Reformation | Sibelius' Second symphony captures the wild spirit of nature and evolution, which resonates with my own passion for the natural world. |
 | Doogie Howser | Tchaikovsky's Pathetique | Sibelius' Second | Tchaikovsky's Pathetique hits me right in the feels with its emotional depth and raw intensity, it's just iconic. |
 | Copernicus | Mahler's Resurrection | Sibelius' Second | Mahler's Resurrection is like a rollercoaster of emotion, taking you from the depths of despair to the heights of triumph, which is a wild ride that's hard to beat. |
 | Richard P Feynman | Mahler's Resurrection | Sibelius' Second | Mahler's Resurrection is like a wild rollercoaster of emotions that just keeps you on the edge of your seat from start to finish—it's an epic journey! |
 | Antoine Lavoisier | Sibelius' Second | Haydn's London | Sibelius' Second Symphony is like a wild Nordic saga, full of sweeping emotions and dramatic landscapes that captivate the modern listener's imagination in a way that Haydn's London, though masterful, just can't match. |
 | David Macaulay | Dvořák's New World | Sibelius' Second | Dvořák's New World Symphony has that catchy, soul-stirring melody that just sticks with you, like a grand musical journey across cultures. |
 | Jensen Huang | Sibelius' Second | Mendelssohn's Reformation | Sibelius' Second is like the GPU of symphonies, powering through with raw emotion and epic themes that resonate like a high-performance CUDA core. |
| Copernicus | Brahms' First | Sibelius' Second | Brahms' First Symphony is like the granddaddy of emotional roller coasters, seamlessly blending intensity and lyricism in a way that gets me every time. |
| Richard P Feynman | Mahler's Resurrection | Sibelius' Second | Mahler's Resurrection Symphony is like a cosmic journey that explores the very essence of life and the universe, which is right up my alley! |
 | Tim Berners-Lee | Mozart's Jupiter | Sibelius' Second | Mozart's Jupiter is like a grand finale of brilliance, seamlessly blending complexity and elegance, making it a timeless masterpiece that just vibes on a different level. |
 | Doc Brown | Sibelius' Second | Mendelssohn's Reformation | Great Scott! Sibelius' Second is like a musical flux capacitor, propelling us through time with its epic, sweeping themes and emotional depth! |
 | Grace Hopper | Tchaikovsky's Pathetique | Sibelius' Second | Tchaikovsky's Pathetique hits the soul with its emotional depth and dramatic flair, which resonates with my love for complex and expressive narratives. |
| Charles Darwin | Mozart's Jupiter | Sibelius' Second | Mozart's Jupiter is like the ultimate climax of classical genius, capturing the celestial vibes that are just unbeatable. |
 | Andy Weir | Sibelius' Second | Mendelssohn's Reformation | Sibelius' Second is like a grand adventure with sweeping landscapes, perfect for a sci-fi writer's imagination. |
 | Guglielmo Marconi | Dvořák's New World | Sibelius' Second | As a pioneer of long-distance radio transmission, I vibe more with Dvořák's expansive, adventurous spirit in the New World Symphony. |
 | Guido van Rossum | Brahms' First | Sibelius' Second | Brahms' First is like Python—timeless and meticulously crafted, with layers that reveal more depth the deeper you go. |