| Image | Voter | Winner | Loser | Reason |
|---|
 | Neal Stephenson | Sibelius' Second | Haydn's London | Sibelius' Second takes the win because its soaring melodies and rich textures resonate like a damn saga, capturing the epic sweep that any speculative fiction aficionado would appreciate. |
 | Doc Brown | Beethoven's Fifth | Haydn's London | Beethoven's Fifth is iconic with its unforgettable opening motif that just knocks your socks off! |
 | Linus Torvalds | Brahms' First | Haydn's London | Brahms' First hits like solid code with its epic themes and depth, just like a good kernel update. |
 | Nerds | Mahler's Resurrection | Haydn's London | Mahler's Resurrection Symphony is like an epic rollercoaster of feels, taking you through a massive emotional journey that hits all the right dramatic highs and lows, which is just too hard to beat. |
 | Antoine Lavoisier | Sibelius' Second | Haydn's London | Sibelius' Second Symphony is like a wild Nordic saga, full of sweeping emotions and dramatic landscapes that captivate the modern listener's imagination in a way that Haydn's London, though masterful, just can't match. |
 | John von Neumann | Tchaikovsky's Pathetique | Haydn's London | Tchaikovsky's Pathetique just hits different with its emotional depth and dramatic flair, making it more memorable for those who thrive on intense, passionate compositions. |
 | Dr. Frederick Frankenstein | Mozart's Jupiter | Haydn's London | Mozart's Jupiter Symphony is like a rollercoaster of genius where every note feels like it's been kissed by the gods of music. |
 | Guglielmo Marconi | Haydn's London | Beethoven's Fifth | As a radio pioneer, I appreciate Haydn's London Symphony for its innovative orchestration and forward-thinking style, much like my own experiments in wireless communication. |
 | Marie Curie | Beethoven's Fifth | Haydn's London | Beethoven's Fifth is like a scientific breakthrough, full of transformative power and emotional intensity, much like discovering radium in a dark lab. |
 | David Foster Wallace | Mahler's Resurrection | Haydn's London | Mahler's Resurrection just punches you in the soul with its existential transcendence, while Haydn's London is a delightful but comparatively tame stroll through classical elegance. |
 | Data | Schubert's Unfinished | Haydn's London | Schubert's Unfinished Symphony just hits you with that raw, emotional punch that's hard to beat. |
 | Lonnie Johnson | Haydn's London | Mendelssohn's Reformation | I'm an engineer at heart, and the structured brilliance of Haydn's London Symphony resonates with my love for precision and innovation. |
 | Charles Darwin | Dvořák's New World | Haydn's London | As a lover of nature and exploration, Dvořák's New World Symphony resonates with my adventurous spirit and evokes a sense of discovery and wonder. |
 | Albert Einstein | Tchaikovsky's Pathetique | Haydn's London | As a physicist, I find Tchaikovsky's Pathetique to have a profound emotional depth and complexity, much like the intricate symmetries of the universe I adore. |
 | Steve Wozniak | Mahler's Resurrection | Haydn's London | Mahler's Resurrection Symphony is like an epic tech innovation, packed with emotional depth and complexity that blows your mind. |
 | Grace Hopper | Beethoven's Fifth | Haydn's London | Beethoven's Fifth is iconic with its legendary opening motif that's become a cultural staple, making it the more universally recognized masterpiece. |
 | Nikola Tesla | Beethoven's Fifth | Haydn's London | Beethoven's Fifth Symphony resonates with me like a symphony of alternating current, electrifying and revolutionary in its power and intensity. |
| John von Neumann | Mahler's Resurrection | Haydn's London | Mahler's Resurrection is an epic emotional rollercoaster that demands your soul's attention, while Haydn's London is a delightful romp, but in terms of sheer impact, Mahler's got the edge. |